Gillian moves through the space carefully setting several hundred conventional wooden mousetraps on the floor. Her hands and feet are bare and vulnerable, close to the trap mechanisms. She continues until she is backed into a corner… We are looking to create a cumulative physical tension through the spring loaded traps and observe if it equates to a growing sense of emotional tension in anyone witnessing the piece – whether the repetition of a task that contains an inherent physical danger becomes more tense when performed repeatedly.